Two women—a superstar perched perfectly still during a studio photo shoot, centered against a white seamless, as the second figure walks into the frame, the edge of the backdrop bisecting her head and torso. Each is holding a prop (an attribute?) that underscores their roles. One needs no introduction, while the other is photographer Eve Arnold, who spent two months on the set of The Misfits, Marilyn’s final film and their last session together.
I love Jaime Permuth’s astute reading of the image: “My first response is to the caption which accompanies the image. If this is Marilyn during the filming of The Misfits and the copyright of the image is ascribed to Eve Arnold, then who is the third woman holding the camera? If she is indeed the photographer Eve Arnold herself, then she has set up a second camera somewhere on set and has executed, of all things, a self-portrait with Marilyn.” He continues, “Another possibility: there is more than one photographer on set observing the interaction between the two women.” Continue reading