Author Archives: Nicole F. Scalissi, Graduate Student Intern, Contemporary Art Department

Art of the People: Pierre Alechinsky and the CoBrA Movement


Pierre Alechinsky, 1977. Courtesy CMOA archives.

With its high-key, high-contrast palette and jagged lines, Pierre Alechinsky’s Savage State (1968) carries on the look, feeling, and approach of CoBrA, a vibrant Paris-based artist collective that came together in the years following World War II. Taking their name from the first letters of the three northern European cities the artists hailed from—COpenhagen, BRussels, Amsterdam—CoBrA was an intense, if brief, coalition of radical artists and poets who were interested in recharging art with the sensual experience of the world. Their paintings and drawings share some aesthetic qualities like brilliantly saturated colors and playfully distorted human forms, but what really linked these artists was their intention—create a new art for a new postwar society. Against the intellectualism and cool aesthetic of Surrealism, CoBrA attempted to initiate a new “art of the people” out of artistic experimentation, emotional expression, and spontaneity.

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